Turning leaves and the appearance of pumpkin lattes mean that fall is just around the corner—which means it's time to start thinking about your chorus's end-of-year fundraising campaign. But where do you begin? Here is a collection of articles from around the web to help you get started, as well as some Chorus America resources to inform your fundraising all year long.

These six commandments from marketing and communications professional Nancy Roberts will help guide your chorus’s social media tactics and save time and money.

Gershon’s vision as he begins his 14th season with the Master Chorale is to break down barriers in choral music and redefine the concert experience.

Have you ever wondered what it would be like to sing a vocal part other than your own? A playful series from Classical Minnesota Public Radio takes a look at the world from soprano, alto, tenor, and bass perspectives.

In addition to expanding educational and artistic programming as president of the Kennedy Center, Michael Kaiser has become a prominent leader in arts management. Here are some of the insights he shared at Chorus America's 2014 Conference.

Sirens, a series of six a cappella movements by composer Mason Bates, explores texts about things that are alluring or attractive. Ragnar Bohlin found the piece itself, particularly the fifth movement, so compelling that he knew he had to have his own chorus perform it. 

Distributing music online is an opportunity to reach more listeners, but the wide variety of platforms can be confusing. Consider these questions to help your chorus chart the right path.

For the 200th anniversary of “The Star-Spangled Banner,” a musicologist takes a closer look at the history of the anthem.

What choruses can learn from a dance company that uses its art form to help communities tell their own stories.

Gretchen Kuhrmann is the director of Choralis, a Northern Virginia-based chorus that will perform Bob Chilcott’s Requiem at the Chorus America conference on June 12. Chorus America asked her about the concert and her program to train and recruit young singers.

On an early spring day in San Francisco, a choir of seniors, wearing bright yellow stoles and smiles to match, takes the stage at the Community Music Center. Soon the singers are swaying to familiar Spanish-language folk songs and singing with growing assurance—urged on by their energetic conductor Martha Rodriguez-Salazar and accompanist Jennifer Peringer.

Jon Washburn's long-time fascination with the work of the Sufi poet Rumi led to a new collaboration inspired by the poet's 12th-century words.

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