Performance

Articles

The Emerging Art of Choral Theater

The Emerging Art of Choral Theater

Judith Malafronte | Impact/Value, Innovation, Performance, Repertoire, Technology, Venue

Is this growing trend a gimmick? Or a glimpse of the future? Read more

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Finding the Right Teacher: An Interview with Deborah Simpkin King

Finding the Right Teacher: An Interview with Deborah Simpkin King

Kathryn Mueller | Careers, Education, Performance, Singing

Choosing the right primary teacher at college or conservatory is one of the most important decisions a music student will make in their musical career, according to Deborah Simpkin King. A conductor and educator, King is artistic director and founder of Schola Cantorum on Hudson and its Conducting and Choral Scholar programs. Her tips on finding the perfect fit with a teacher for undergraduate or graduate studies are a great resource to share with young conductors and singers. Read more

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The Heart of Vocal Harmony

The Heart of Vocal Harmony

Emotional Expression in Group Singing

Mike Rowan | Composing/Commissioning, Conducting, General, Performance, Profile, Sample/Template

Music is an emotional medium, yet we often spend rehearsal time in our choirs focused on notes, rhythms, and precision, rarely addressing the meaning of the music, says arranger and producer Deke Sharon. In the new book The Heart of Vocal Harmony: Emotional Expression in Group Singing, Sharon puts the process of delivering an emotionally compelling performance front and center. Read more

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What to Wear: Let’s Get Practical

What to Wear: Let’s Get Practical

Kelsey Menehan | Performance

One choral leader described setting a concert attire policy as “somewhere near getting a root canal.” Ouch! We asked choruses—and the choral apparel companies that clothe them—to give us their best advice for making the process as pain-free as possible.  Read more

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Dressing Your Chorus

Dressing Your Chorus

Kelsey Menehan | Performance

Whether your chorus has 10 singers or 110, what those singers wear matters. The overall look should complement, not distract from, the music and communicate a certain level of seriousness, or as one choral conductor quipped, “not like you just walked in off the street.”  Read more

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My First German Requiem

My First German Requiem

Matthew Sigman | Audiences, Impact/Value, Performance, Symphonic

After performing the Brahms Requiem as the centerpiece of Chorus America’s Robert Shaw Centenary Symposium in mid-April, the Atlanta Symphony Orchestra and Chorus brought the work to New York for a special performance at Carnegie Hall. Music journalist Matthew Sigman attended the New York performance—which also included Jonathan Leshnoff’s newly-commissioned work Zohar—and reflects on his experience hearing the masterpiece for the first time. Read more

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Illuminating Early Music

Illuminating Early Music

Zoë Madonna | Conducting, History, Innovation, Performance, Repertoire

When done right, these choral directors say, early music transcends its intimidating reputation and connects with audiences. Read more

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Singing for the Pope in New York

Singing for the Pope in New York

Salvatore Diana reflects on the lights, camera, action, and everything behind it

Mike Rowan | Civic Engagement, Participation, Performance, Singing, Venue

Singing for the Pope is a once-in-a-lifetime experience – though sometimes, it happens twice. “I can’t say it was my first time singing for a pope,” admits Salvatore Diana. “I had the good fortune of Singing for Pope Benedict when he visited eight years ago.” In fact, Diana sang in services for Pope Francis on back-to-back days during his visit to New York, making for a hectic and thrilling 36 hours or so.  Read more

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Commissioning Journeys: When the Place Shapes the Music

Commissioning Journeys: When the Place Shapes the Music

Kelsey Menehan | Composing/Commissioning, Performance, Venue

With the 2015 premiere of TURBINE, the Mendelssohn Club of Philadelphia helped celebrate a unique cultural landmark and its vital role in the history of the city. Read more

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Meet A Member: Don Matlock, Montana A Cappella Society

Meet A Member: Don Matlock, Montana A Cappella Society

Mike Rowan | Adults/Seniors, Careers, Performance

“Our philosophy is no one should be denied the joy of music because of money. There’s no membership dues, there’s no fee for music. That carries over to the audience. All of our concerts are free to the public.” Read more

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Resources

Singer Information Form

Singer Information Form

Chorus America Staff | General, Operations, Performance, Sample/Template, Singing

Use this singer information form template to gather information during the audition process.  Read more

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Benjamin Britten Centenary Articles

Benjamin Britten Centenary Articles

Chorus America Staff | Composing/Commissioning, History, Impact/Value, Performance, Repertoire

In celebration of the Britten centennial in 2013, this issue of American Choral Review features two articles on the music of Benjamin Britten: distinguished scholar Alfred Whittall offers reflections on the composer’s choral writing, and co-authors Thomas Folan and Nancy S. Niemi explore issues of identity in Britten’s Cantata Academica. Read more

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David Hamilton’s Music for Choir and Keyboard or Solo Instruments

David Hamilton’s Music for Choir and Keyboard or Solo Instruments

Chorus America Staff | Composing/Commissioning, Conducting, Performance, Rehearsal, Repertoire, Singing

Research Memorandum Series No. 203 This article is a companion to Research Memorandum Series No. 202 Winter 2012/13, “David Hamilton’s Music for Choir and Instrumental Ensemble”, also providing insight into the work of this prolific composer and music educator from New Zealand. Read more

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Choral-Orchestral Engagements: Common Practices

Choral-Orchestral Engagements: Common Practices

Chorus America Staff | Management/Leadership, Operations, Performance, Rehearsal

This practical resource for choruses provides guidance on collaborating successfully with orchestras, based on conversations with more than 30 artistic administrators. Originally published in 2004, the report was reviewed and republished in 2013. Read more

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The Choral Works of Hamish MacCunn (1868–1916)

The Choral Works of Hamish MacCunn (1868–1916)

Jennifer Oates | Audiences, Composing/Commissioning, Conducting, History, Performance, Repertoire, Research/Data, Singing

This issue provides insight into the music of Hamish MacCunn, Scottish romantic composer, conductor, and teacher. Jennifer Oates gives us a complete listing of MacCunn's choral works, including audio file examples. Read more

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David Hamilton’s Music for Choir and Instrumental Ensemble

David Hamilton’s Music for Choir and Instrumental Ensemble

Chorus America Staff | Composing/Commissioning, Conducting, Performance, Rehearsal, Repertoire, Singing

Research Memorandum Series No. 202 This issue provides insight into the music of David Hamilton, prolific composer and music educator from New Zealand. Jennifer Morgan Flory gives us a complete listing of Hamilton's works for choir and intstrumental ensemble. Read more

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Kent Tritle on Monteverdi Vespers

Kent Tritle on Monteverdi Vespers

Kent Tritle | Conducting, Performance, Repertoire

Conductor Kent Tritle, who conducted Monteverdi's Vespers at the 2011 Berkshire Choral Festival, offers his insights on the challenges of singing this seminal choral work. Read more

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Soloist Contract

Soloist Contract

Chorus America Staff | General, Legal/Licensing, Operations, Performance, Sample/Template

Use this contract to help clarify expectations for your hired soloists. Read more

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Orchestra Contract

Orchestra Contract

Chorus America Staff | General, Governance, Legal/Licensing, Management/Leadership, Operations, Performance, Sample/Template

This sample contract provides a template as you incorporate a partnership with an orchestra. Read more

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Chorus Handbook Table of Contents

Chorus Handbook Table of Contents

Chorus America Staff | General, Management/Leadership, Operations, Performance, Rehearsal, Sample/Template, Singing

This table of contents template will serve as a guide as you prepare your organization's handbook. Read more

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Events

Mozart: Requiem

Mozart: Requiem

West Hartford, CT

CONCORA Admin | Performance

Info and tickets: http://www.concora.org/mozart-requiem.html Read more

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Bach: Saint Matthew Passion

Bach: Saint Matthew Passion

Hartford, CT

CONCORA Admin | Performance

Info and tickets: http://www.concora.org/bach-st-matthew-passion.html Read more

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Masses Ancient and Modern

Masses Ancient and Modern

Hartford, CT

CONCORA Admin | Performance

Info and tickets: http://www.concora.org/masses-ancient-and-modern.html Read more

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Wine, Jazz, & Song

Wine, Jazz, & Song

Farmington, CT

CONCORA Admin | Performance

Info and tickets: https://www.eventbrite.com/e/wine-jazz-song-tickets-36912091058?aff=erel... Read more

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ClavierFest

ClavierFest

West Hartford, CT

CONCORA Admin | Performance

Info and tickets: https://www.eventbrite.com/e/clavierfest-tickets-36911271607 Read more

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ClavierFest

ClavierFest

West Hartford, CT

CONCORA Admin | Performance

Info and tickets: https://www.eventbrite.com/e/clavierfest-tickets-36911271607 Read more

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Extraordinary Concert: Choral Masterworks

Extraordinary Concert: Choral Masterworks

West Hartford, CT

CONCORA Admin | Performance

Info and tickets: http://www.concora.org/extraordinary-masterworks.html Read more

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Brahms: Requiem

Brahms: Requiem

New Britain, CT

CONCORA Admin | Performance

Info and tickets http://www.concora.org/brahms-requiem.html Read more

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Funny That Doesn't Sound Jewish

Funny That Doesn't Sound Jewish

Evanston, IL

Matt Greenberg | Performance

When creativity bumps up against social pressure, the resulting music does -and doesn't- sound Jewish; Experience a wide range of music by Jewish Composers and their struggle with embracing their heritage and conforming to outside musical styles. Read more

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Bach, a Brew, and You: A Musical Sing-in

Bach, a Brew, and You: A Musical Sing-in

San Francisco, CA

San Francisco B... | Adults/Seniors, Community Outreach, General, Networking, Performance, Singing, Volunteer

  Tuesday, August 22, 6:00 - 9:00 pm Standard Deviant Brewing, 280 14th St., San Francisco, 94103 SFBC is taking over Standard Deviant Brewing for an evening of socializing and singing! Enjoy food, a cold beer, and a taste of the Bach Choir.  Artistic Director Magen Solomon will lead us through highlights of our 2017-2018 season. Standard Deviant is even brewing a special bock for the occasion!   Additional event info at www.sfbach.org/brew. Read more

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