Awards

Articles

Getting Grants for Your Chorus

Getting Grants for Your Chorus

Chorus America Staff | Awards, Evaluation, Finance, Fundraising, Impact/Value, Operations

Three funders share their do’s and don’ts for successful grant applications.   Read more

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The Power of Recognition

The Power of Recognition

Ann Meier Baker | Awards

Shining the spotlight on exceptional work fosters even greater achievement. Read more

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Events

LA Children's Chorus Honors Placido Domingo and Jo and Shawn Libaw at Gala Bel Canto

LA Children's Chorus Honors Placido Domingo and Jo and Shawn Libaw at Gala Bel Canto

506 S. Grand Avenue, Los Angeles, CA 90071

sgordon823 | Adults/Seniors, Awards, Children/Youth, Fundraising

Los Angeles Children’s Chorus Honors Legendary Opera Star Placido Domingo and Longtime LACC Supporters Jo and Shawn Libaw at Gala Bel Canto Read more

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The White Raven: The 10th Annual Pinkham Award Concert

The White Raven: The 10th Annual Pinkham Award Concert

Cambridge, MA

Coro Allegro | Awards

Join CORO ALLEGRO, Boston’s acclaimed classical chorus for members, friends, and allies of the LGBT community, as we honor the legacy of renowned Boston LGBT composer Daniel Pinkham, with The White Raven, his soaring tribute to the exceptional.  Read more

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Deadline: Indianapolis Symphonic Choir Christmas Carol Commission Competition

Deadline: Indianapolis Symphonic Choir Christmas Carol Commission Competition

Indianapolis, IN

Michael Pettry | Awards, Community Outreach, Composing/Commissioning, General, Innovation, Marketing/Public Relations, Performance, Professional, Repertoire

The Indianapolis Symphonic Choir announces the seventh annual Christmas Carol Commission Competition as part of its commitment to the future of choral music. Submitted works must be original, unpublished, and have not been publicly performed; between 3 and 5 minutes long; written for SATB, mixed adult choir; and may be a cappella or utilize keyboard accompaniment. Text and language are at the discretion of the composer, and should be suitable for a Christmas/holiday performance. Read more

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Young Composers Competition -- The Capital Hearings

Young Composers Competition -- The Capital Hearings

Emma Rackstraw | Awards, Composing/Commissioning, Innovation, Performance, Professional, Repertoire, Singing

The Capital Hearings, a 12- to 14-member mixed vocal ensemble, are proud to announce the 2016 Young Composers Competition!  We encourage composers age 40 or below to submit mixed a cappella works of two-to-five minutes in duration that align with our 2016 artistic theme, Politics and Political Capital.  A cash prize of $500 will be awarded.  For full information, please visit http://www.thecapitalhearings.com/competition. Submissions are due Saturday, May 7, 2016 at 11:59 PM (Eastern). Read more

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REMEMBRANCES featuring the world premier of "Shadow & Light"

REMEMBRANCES featuring the world premier of "Shadow & Light"

Eugene, Oregon

Diane Retallack | Adults/Seniors, Audiences, Awards, Community Outreach, Composing/Commissioning, Conducting, Families, Health, Impact/Value, Innovation, Performance, Repertoire, Singing

A new composition by Joan Szymko, giving voice to the challenges, courage, and loving acceptance of people and caregivers affected by Alzheimer's and dementia. The first-ever original commission from Eugene Vocal Arts, made possible by the Fred W. Fields Fund Creative Heights Initiative of the Oregon Community Foundation and by the Oregon Cultural Trust. Read more

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REMEMBRANCES featuring the world premier of "Shadow & Light"

REMEMBRANCES featuring the world premier of "Shadow & Light"

Eugene, Oregon

Diane Retallack | Adults/Seniors, Audiences, Awards, Community Outreach, Composing/Commissioning, Conducting, Families, Health, Impact/Value, Innovation, Performance, Repertoire, Singing

A new composition by Joan Szymko, giving voice to the challenges, courage, and loving acceptance of people and caregivers affected by Alzheimer's and dementia. The first-ever original commission from Eugene Vocal Arts, made possible by the Fred W. Fields Fund Creative Heights Initiative of the Oregon Community Foundation and by the Oregon Cultural Trust. Read more

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Martina Arroyo Foundation Gala

Martina Arroyo Foundation Gala

160 Central Park South

emilymt | Awards

New York, NY (November 3, 2015) - MasterVoices, formerly The Collegiate Chorale, will be honored at the Martina Arroyo Foundation’s 11th Annual Gala. MasterVoices will be recognized along with American couture designer Joanna Mastroianni and The Michel Maurel award-winner Ernst Rieser. Brian Kellow and Terrance McKnight will host the gala, with performances by the young artists of Prelude to Performance, Michele Angelini (featured in the October issue of Opera News), as well as other special guests.   The Martina Arroyo Foundation’s 11th Annual Gala will be held on Monday, November 16, 2015 at 6:30 pm at the JW Marriott Essex House, 160 Central Park South, New York, NY. For more information and tickets, visit http://www.martinaarroyofdn.org/gala2015gray.html.   The Gala Dinner Program will feature a Live Auction, and musical selections, including: ●      Michele Angelini: “Ah! Mes Amis” from La fille du régiment by Gaetano Donizetti ●      Jennifer Rowley: “Pace Pace” from La Forza del Destino ●      Brandie Sutton/Hyona Kim: Flower Duet from Madama Butterfly by Puccini (PTP 2015 summer production) ●      Karolina Pilou/Claire Coolen/Jacopo Buora/Michele Angelini: Lesson Scene and Trio from La fille du régiment by Gaetano Donizetti (PTP 2015 summer production) ●      Cecilia Violetta López: "Czàrdàs" from Die Fledermaus by Johann Strauss   Gala Chair: Cecilia Teng;     Gala Benefit Committee:  Joan Ades, Martina Arroyo, Page Ashley, John and Maggie Banks, Nancy and James Barton, Beth Chang, Lois Conway, Beatrice M. Disman, Donna and Richard Esteves, Ruth Finley, Peter F. Felfe, The Gerda Lissner Foundation, Inc., Beth Holland, Martin Jeiven, Kenneth F. Koen, Barbara and Paul Krieger, Andrew Martin-Weber, Richard J. Miller, Ernst Rieser, Leonard Rubin, Cecilia and Tian Lih Teng, Elizabeth Tunick, Frederick Wertheim and Angelo Chan   2015 Gala Committee:  Martina Arroyo, Helen Chang, Erica Linden-Fineberg, Elizabeth Frayer, Claudie Harari, Shawn Milnes, Stephanie Reiss, Ernst Rieser, Edward Sadovnik, Michael Snider, Cecilia Teng   Honorary Gala Chairs: Donna & Richard Esteves, Andrew Martin-Weber   Honorary Benefit Committee: Harolyn Blackwell, Stephanie Blythe, Tyne Daly, Paquito D’Rivera, Brenda Feliciano, Susan Graham, Marilyn Horne, Richard Leech, Audra McDonald, Jessye Norman, Eric Owens, Jennifer J. Raab, Ben Vereen, Frederica von Stade, Rufus Wainwright, Darren Walker.   2015 Gala Producer:  Midge Woolsey   The mission of the Martina Arroyo Foundation is to counsel young singers in the interpretation of complete roles for public performances. The Foundation guides each singer in the preparation of an entire operatic role through a formal educational process that includes the background of the drama, the historical perspective, the psychological motivation of each character, and language proficiency.   American soprano Martina Arroyo has received numerous awards and accolades for her long-standing pre-eminence at the world’s foremost opera houses and concert halls, including a 2013 Kennedy Center Honors and a 2010 Opera Honors Award from the National Endowment for the Arts. She continues to make an invaluable contribution to the art form through her teaching and her commitment to young artist development through the Martina Arroyo Foundation. Born in 1937 and raised in Harlem, Arroyo went on to conquer the opera world, from the Metropolitan Opera to the Vienna State Opera, Teatro Colón in Buenos Aires to La Scala in Milan, Paris Opera to the Royal Opera House at Covent Garden, and the great concert halls from Salzburg and Berlin to her hometown of New York. She has had the honor of three opening night performances at the Met, two of them in consecutive seasons. Few in her generation have been so fearless or so successful across the repertory, from Mozart, Verdi, Puccini and Strauss to Barber, Bolcom, Schoenberg, and Stockhausen. The New York Times once heralded her voice as “among the most glorious in the world.” Her extensive recorded legacy reflects her inspired collaborations with conductors Leonard Bernstein, Karl Böhm, Rafael Kubelík, Zubin Mehta, Thomas Schippers, Colin Davis, and James Levine. Arroyo studied to be a teacher and graduated from Hunter College at the age of 19. In 1958, she auditioned for and won the Metropolitan Opera’s Auditions of the Air, which gave her a chance to study both music and acting at the Met’s Kathryn Long School. She made her Carnegie Hall debut in 1958 in the American premiere of Ildebrando Pizzetti’s Murder in the Cathedral, and in 1965 stepped in as a last-minute replacement for an ailing Birgit Nilsson in Aïda at the Met, a career-changing moment. Over the years and in nearly 200 performances at the Met, Arroyo performed all the major Verdi roles that would be the core of her repertory, in addition to Mozart’s Donna Anna, Puccini’s Cio-Cio-San and Liù, Mascagni’s Santuzza, Ponchielli’s Gioconda, and Wagner’s Elsa. Her 1968 London debut came in a concert version of Meyerbeer’s epic Les Huguenots, followed the same year by her Covent Garden debut in Aïda. Her debuts at Paris Opera, La Scala and the Teatro Colón followed in close succession. In 2003, Arroyo established her own non-profit cultural organization. Now celebrating its tenth anniversary season, the Martina Arroyo Foundation provides new generations of emerging young artists with the tools to pursue careers in opera, by means of two intensive programs of study, coaching, and performance that focus on immersive preparation of complete operatic roles.   Brian Kellow is the author of Pauline Kael: A Life in the Dark, which was a 2011 New York Times Notable Book of the Year and also appeared on the Best of the Year lists of Entertainment Weekly, The New Yorker and the Chicago Tribune. He is also the author of Ethel Merman: A Life, The Bennetts: An Acting Family, and the coauthor of Can’t Help Singing: The Life of Eileen Farrell. He is the features editor of Opera News. Kellow lives in New York City.   Terrance McKnight is the WQXR weekday evening host. He also hosts the Saturday evening program, All Ears with Terrance McKnight, a show about musical discovery, which was honored with an ASCAP Deems Taylor Radio Broadcast Award in 2010. McKnight’s musical experiences – from glee club soloist and accomplished pianist, to professor at Morehouse College, and finally as producer and host of several music programs for public radio – have consistently juxtaposed the European Classical tradition alongside American classic traditions – jazz, gospel, African American spirituals and other musical genres. McKnight was first heard in New York in 2008 when he joined the staff of WNYC. He moved to WQXR in October 2009. Previously he worked at Georgia Public Broadcasting, where he was creator, producer and host of Studio GPB, a program that introduced a wide array of musical artists through interviews, live studios sessions and commercial recordings.   Joanna Mastroianni launched her signature collection with a clear vision of modern, fashion forward women. She has consistently created collections that reflect her innate sense for sophistication, elegance, and timeless beauty. While still a student at F.I.T, Mastroianni’s vision and passion for beautiful   fashion raised the attention of Henry Bendel, giving her a first order. Bergdorf Goodman featured in their windows, her premier collection under her signature label. Her black matte jersey illusion dress, from her very first collection, made it into two movies; worn by Michelle Pheiffer in Tequila Sunrise and by Melanie Griffith in Bonfire of the Vanities.  Mastroianni’s works in the tradition of Haute couture, each garment is engineered and constructed carefully using the finest of fabrics. Her original embroideries and imaginative accessories are modern and bold, creating versatile, wearable and luxurious collections that make women look and feel glamorous and feminine. Her inspirations are unpredictable, often starting with a minute detail that she develops and expands into a full-fledged collection that is shown on the runway. Passion is apparent in every detail she creates and in every project she is involved in. Joanna Mastroiani’s audience is global, dressing some of Hollywood’s elite: Eva Longoria, Christina Ricci, Beyonce, Alicia Keys, Panda LaKshmi, Carol Alt. From the Academy, Tony, and Grammy awards, to dressing Sarah Jessica Parker, Cynthia Nixon and Kristin Davis for Sex and the City.   MasterVoices is continuing The Collegiate Chorale’s preeminent reputation for its performances of the traditional choral repertoire, rarely heard operas in concert, unusual music theatre pieces and commissioned works.  The chorus has worked with the great luminaries of the music world, singing under conductors such as James Levine, Alan Gilbert, Zubin Mehta and Riccardo Muti.  MasterVoices has performed in recent seasons with renowned vocal artists, including Stephanie Blythe, Victoria Clark, Bryn Terfel, Thomas Hampson and Deborah Voigt.  Highlights of recent seasons have included Arrigo Boito’s Mefistofele, David Lang’s battle hymns, Not the Messiah (He’s a Very Naughty Boy) with Eric Idle and the U.S. premiere of Kurt Weill’s The Road of Promise.  MasterVoices is committed to fostering the talents of the next generation of artists and audiences through its Side-by-Side mentoring program, student masterclasses, Faith Geier Artist Initiative and most recently with the launch of Bridges, its outreach program creating new works in collaboration with communities throughout New York City. For more information, visit mastervoices.org.  Connect with MasterVoices on Facebook, Twitter and Instagram (@mastervoicesny).   The company’s 2015-2016 Season included:   The Pirates of Penzance; or, The Slave of Duty By Arthur Sullivan and W.S. Gilbert Featuring Deborah Voigt, Phillip Boykin, Douglas Hodge, Hunter Parrish, Julia Udine, David Garrison, Betsy Wolfe, Montego Glover and Zachary James Directed and Conducted by Ted Sperling with Orchestra of St. Luke’s Choreography and Associate Direction by Gustavo Zajac Scenic Design by David Korins Lighting Design by Frances Aronson Sound Design by Scott Lehrer Costume Consulting by Tracy Christensen October 15-16, 2015 at 8pm at New York City Center   The Life and Death(s) of Alan Turing An Evening Exploring the Creation of a New American Opera by Justine F. Chen and David Simpatico Presented by the American Lyric Theater October 17, 2015 at 7pm at Merkin Concert Hall   And continues with:   Mahler’s Symphony No. 2 Conducted by Zubin Mehta, presented by the Israel Philharmonic Orchestra November 5, 2015 at Carnegie Hall   Dido and Aeneas By Henry Purcell and Nahum Tate With a World Premiere companion work by Michael John LaChiusa Featuring Kelli O’Hara and Victoria Clark Conducted by Ted Sperling with Orchestra of St. Luke’s April 28, 2016 at 7pm at New York City Center April 29, 2016 at 8pm at New York City Center   Mahler’s Symphony No. 2 Conducted by Joshua Gersen, presented by the New York Youth Symphony May 29, 2016 at Carnegie Hall   “Bridges” The 2015-2016 season will conclude in June with a program featuring a World Premiere work composed by Marisa Michelson developed for the launch of MasterVoices’ new community outreach program, “Bridges”. The location and date of this program will be announced at a future date.   Major funding for MasterVoices’ 2015-16 season has been generously provided by The Geier Foundation, the Howard Gilman Foundation, and the New York City Department of Cultural Affairs.       Read more

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The Collegiate Chorale’s Spring 2015 Benefit

The Collegiate Chorale’s Spring 2015 Benefit

881 7th Avenue, New York, NY 10019

emilymt | Awards, Fundraising, Performance

The Collegiate Chorale will hold its Spring Benefit, featuring the U.S. premiere of Kurt Weill and Franz Werfel’s The Road of Promise at Carnegie Hall on May 7, 2015. The event will begin at 6:00pm with cocktails and hors d’oeuvres in Carnegie Hall’s Rose Museum. The performance will commence at 7:00pm in the Stern Auditorium, with a seated dinner and dessert with the artists in the Rohatyn Room immediately following the concert. A live auction with a few select items will follow the dinner, led by Steve Rosen. All net proceeds will go toward The Chorale’s artistic and education initiatives. Dress is festive. Benefit tickets are $500 - $1,500, and tables are $5,000 - $15,000. Details are available at collegiatechorale.org/support/special-events. For more information, please contact Selena Lavonier at slavonier@collegiatechorale.org or 646.435.9052.   Read more

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