Each month, Chorus America president and CEO Catherine Dehoney sits down to have a conversation over the phone with one of our members. This January, she spoke with Mary Henriques, executive director of the Pensacola Children's Chorus.
Has bad weather caused you to scramble at the last minute to cancel or salvage a performance? If you have never been forced to react to this type of scenario before, it is a good idea to have a plan in place should it ever occur. These choruses shared their first-hand experiences of dealing with major complications brought on by Mother Nature.
The subtle details of Christopher Marshall's Elegy for a City Railyard require great time and effort to master, says Magen Solomon of San Francisco Choral Artists and the San Francisco Bach Choir, but the investment yields a richly evocative sensory experience that is absolutely worth it.
Each month, Chorus America has been profiling one of our members in our new Meet A Member series. For December, to mark the season of giving, we changed things up a little bit and interviewed one of Chorus America's long-time donors: Greg Funfgeld, artistic director of the Bach Choir of Bethlehem.
Humans have a special ability to learn songs and change them over time—a skill that is useful in treating neurological problems and may help support overall brain health. Researcher Aniruddh D. Patel explains.
I am not an expert at fundraising in the traditional sense. As a recovering choral conductor who became a recording engineer, I’ve never held a fundraising position for any arts nonprofit organization. I did, however, spend 10 years working for two symphonic choruses with budgets of over $1 million and administrative staffs of less than five people. Like many of us, I’ve gotten an on-the-job crash course in fundraising and patron cultivation.
Lorenzo Martinez wasn’t expecting to become the executive director of the Houston Chamber Choir, but his new job is, in a sense, a homecoming. “I feel extremely fortunate to have landed here and work with incredible people,” says Martinez.
As the director of choral activities at Westminster Choir College, Joe Miller helps shape the next generation of choral conductors and leaders. Here he reflects on his own training as a conductor and on the future of the choral field. Click on the questions below to view his answers.
In the chorus-crazy land of Minnesota, there’s a charismatic new face in town putting a unique stamp on the area’s choral scene.
Steven Zopfi's "Ten Questions" project asks choral conductors today about their career development and the future of the choral field. Here Grant Gershon, Craig Hella Johnson, and Ragnar Bohlin respond. Click on the questions below to view their answers.
Singing for the Pope is a once-in-a-lifetime experience – though sometimes, it happens twice.
“I can’t say it was my first time singing for a pope,” admits Salvatore Diana. “I had the good fortune of Singing for Pope Benedict when he visited eight years ago.” In fact, Diana sang in services for Pope Francis on back-to-back days during his visit to New York, making for a hectic and thrilling 36 hours or so.
With the 2015 premiere of TURBINE, the Mendelssohn Club of Philadelphia helped celebrate a unique cultural landmark and its vital role in the history of the city.