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I am not an expert at fundraising in the traditional sense. As a recovering choral conductor who became a recording engineer, I’ve never held a fundraising position for any arts nonprofit organization. I did, however, spend 10 years working for two symphonic choruses with budgets of over $1 million and administrative staffs of less than five people. Like many of us, I’ve gotten an on-the-job crash course in fundraising and patron cultivation.

Lorenzo Martinez wasn’t expecting to become the executive director of the Houston Chamber Choir, but his new job is, in a sense, a homecoming. “I feel extremely fortunate to have landed here and work with incredible people,” says Martinez. 

As the director of choral activities at Westminster Choir College, Joe Miller helps shape the next generation of choral conductors and leaders. Here he reflects on his own training as a conductor and on the future of the choral field. Click on the questions below to view his answers.

In the chorus-crazy land of Minnesota, there’s a charismatic new face in town putting a unique stamp on the area’s choral scene.

Steven Zopfi's "Ten Questions" project asks choral conductors today about their career development and the future of the choral field. Here Grant Gershon, Craig Hella Johnson, and Ragnar Bohlin respond. Click on the questions below to view their answers.

Singing for the Pope is a once-in-a-lifetime experience – though sometimes, it happens twice.

“I can’t say it was my first time singing for a pope,” admits Salvatore Diana. “I had the good fortune of Singing for Pope Benedict when he visited eight years ago.” In fact, Diana sang in services for Pope Francis on back-to-back days during his visit to New York, making for a hectic and thrilling 36 hours or so. 

With the 2015 premiere of TURBINE, the Mendelssohn Club of Philadelphia helped celebrate a unique cultural landmark and its vital role in the history of the city.

On the first leg of Pope Francis' historic visit to the United States, an elite choir of 90 singers assembled from across the region will lift their voices to celebrate Mass at the Basilica of the National Shrine of the Immaculate Conception in Washington, DC.

From chorus manager to member of a board of managers, Gretchen Upholt has a lot of choral and nonprofit experience. It all comes into play in her work with the New York Choral Society.

SATB pieces do not always make for equally successful SSAA versions, notes Portland Symphonic Girlchoir founding artistic and executive director Roberta Q. Jackson, but she has found a gem in this David C. Dickau adaptation for women's voices.

This summer marks one year since Jane Chu began her tenure as chairman of the National Endowment for the Arts. In advance of her keynote conversation at Chorus America’s Boston Conference, she spoke with president and CEO Catherine Dehoney about her career and the important role the arts play in our lives and communities.

Being the only person managing the day-to-day operations of a chorus is not for the faint of heart, but the pay-off can be sweet. Here’s how a number of solo administrators pull it off.

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