In 2014, the Chorus of Westerly won more than $1 million in Rhode Island state funds to support the renovation of its historic performance hall. Here’s how they did it.
"I want to catalyze an international community around our organization and expand the repertoire that we do."
Midcoast Community Chorus of Rockport, Maine was founded on the belief that everyone has a voice that deserves to be heard and that powerful things happen when we sing together in community. The group’s founder and artistic director Mimi Bornstein talks about the impact of that vision in the community.
For the members of C4: The Choral Composer/Conductor Collective, the answer is “everyone.” Here’s how this “team of maestros” navigates their various roles in the organization.
Chad M. Bauman, arts marketing expert and managing director of the Milwaukee Repertory Theater, looks at some often-repeated “truisms” about marketing. His data-driven advice may surprise you.
Are you considering a first tour for your chorus? Here are more tips from tour companies and choruses for making it the best possible experience for your members and your organization.
More Chorus America members share personal stories about touring experiences that made a big impact.
Tour company executives answer questions posed by Chorus America members.
Chorus America members share personal stories about touring experiences that made a big impact.
Choruses and tour companies share their wisdom about touring.
Riding the wave of a popular cultural phenomenon has enabled the Oratorio Society of Minnesota to unearth previously unperformed music and attract new audiences.
For nearly half a century, Voices of Omaha has presented annual performances of Handel's Messiah without admission charge. In 2010, artistic director Edward B. Hurd laid out a challenge and a path forward: “We can do even more for our community.” Part II of this two-part series explores how the chorus exponentially increased its development efforts and shares "words to the wise" learned through experience.