Training/Professional Development

Education, training, and continuing education for conductors, chorus managers, and singers

What Does Arts Advocacy Look Like in Washington?

Chorus America communications manager Mike Rowan represented our organization and the choral field at Arts Advocacy Day 2018, and came back with some insider tips on how the process works in our nation’s capital.

Meet A Member: Alexander Lloyd Blake, Tonality

Alexander Lloyd Blake has plenty of jobs to keep himself busy.

Blake is the choir director for the LA County High School for the Arts, and principal assistant conductor of the National Children's Chorus’ Los Angeles ensemble. But that’s not all. “I'm an assistant conductor at First Congregational Church LA—that's a new one,” Blake recounts. “And I'm studying for my qualifying exams for my doctorate in choral conducting at USC.”

Choral Conductors Today: Responding to a Shifting Career Model

In an effort to renew our understanding of the roles, responsibilities, and challenges choral conductors encounter and how they affect the choral ecosystem, Chorus America undertook a new study, updating survey findings from a decade ago. The results highlight both important challenges and reasons to feel confident about the health of the profession. 

Keeping the Choral Singer Pipeline Flowing

Singers are the lifeblood of the choral field. Ensembles from coast to coast are anchored by veterans of school and youth choral programs who found the experience rewarding enough that they continued through adulthood. But as choral leaders know all too well, many choristers can’t or don’t stick with it; they drop out of choral singing when they hit significant life transitions.

Finding the Right Teacher: An Interview with Deborah Simpkin King

Choosing the right primary teacher at college or conservatory is one of the most important decisions a music student will make in their musical career, according to Deborah Simpkin King. A conductor and educator, King is artistic director and founder of Schola Cantorum on Hudson and its Conducting and Choral Scholar programs. Her tips on finding the perfect fit with a teacher for undergraduate or graduate studies are a great resource to share with young conductors and singers.

Meet A Member: Brett Scott, University of Cincinnati-College Conservatory of Music

L. Brett Scott has touched many sides of the choral world in his career so far, and it figures that plenty more is in store. “My association has gone from a symphonic chorus, to research, to a community choir, and now includes a larger choral-orchestral ensemble again,” he says.

Practice, Practice, Practice

Choral conductors and singers share their own practicing best practices

What does it take to get to Carnegie Hall? Or to a memorable choral performance? Everyone knows the answer. But many are the music scores that sit unattended in car trunks between rehearsals. And many are the frustrated choral conductors who wish their singers would put in the time that the music deserves.

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