Repertoire

Franz Liszt and Hector Berlioz

Conducting, Interpretation and Two Underappreciated Legacies

This edition of the American Choral Review focuses on the discipline and practice of conducting.

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A Guide to the Choral Music of Stephen Paulus

In this issue of the Research Memorandum Series, Dr. Sean Linfors provides a brief history of Stephen Paulus’ compositional career, discusses some of his most beloved pieces, and catalogs Paulus’ complete choral works.

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Choral Music by American Composers for Treble Voices since 1988

Compiled by Dr. Jennifer Flory and Meagan W. Johnson, this issue highlights literature for treble choirs written by American composers in the last 30 years. The index is sorted by composer and will eventually be incorporated into a larger and more inclusive online database.

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Robert Shaw: Early Development and The Fred Waring Years

The lead article documents Shaw’s early years and his rise as a professional conductor with FredWaring and the Pennsylvanians, as well as his process of developing an understanding of choral music as an art. The issue also includes reviews of the documentary Robert Shaw: Man of Many Voices and a recent recording of Beethoven's Missa Solemnis by the Bach Collegium Japan.

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Q&A with John Rosser; Artistic Director, World Symposium of Choral Music 2020 in New Zealand

The World Symposium on Choral Music is an eight-day festival held every three years, organized by the International Federation for Choral Music. The next symposium is scheduled for July 2020, to be hosted in Auckland, New Zealand. In anticipation of WSCM2020, symposium artistic director John Rosser, who also founded and directs the Auckland-based chamber choir Viva Voce, spoke with Chorus America about next year’s event and its theme, tangata whenua.

Sharing the Breadth and Beauty of Jewish Choral Music

The Zamir Chorale of Boston is launching a new online resource intended to share the breadth and beauty of the repertoire that has been its specialty for 50 years. The chorale’s founder, Joshua Jacobson, explains why he believes choral music from Jewish traditions will be a welcome discovery for choruses of all kinds.

Cultural Appropriation: From Culture Stealing to Culture Sharing

How can choruses explore music from cultures other than their own in a respectful way? Rollo Dilworth’s research provides a framework for thinking about cultural appropriation and its intersection with choral music.

Copyright and the Community Chorus

Now more than ever, it’s important for choruses to understand their rights and responsibilities regarding the use of published music. New technologies are changing the way organizations purchase and use copyrighted materials. To complement a session at the 2018 Chorus America Conference, five music publishers talk about the key questions they are facing.

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