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The lead article documents Shaw’s early years and his rise as a professional conductor with FredWaring and the Pennsylvanians, as well as his process of developing an understanding of choral music as an art. The issue also includes reviews of the documentary Robert Shaw: Man of Many Voices and a recent recording of Beethoven's Missa Solemnis by the Bach Collegium Japan.

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An Interview with Conductor Amelia Nagoski

Sisters Emily and Amelia Nagoski are the authors of Burnout: The Secret to Unlocking the Stress Cycle, a book that explores how we experience stress physically, mentally, and emotionally, and what strategies we can use to process it, both inside and out. In exploring this topic, the sisters bring to bear their own perspectives, Emily as a researcher with a PhD in health behavior and Amelia as a choral conductor.

A Game-Changing Technology for Remote Singing

With some help from Silicon Valley, we may be on our way to overcoming the choral field’s most persistent hurdle during the pandemic—latency from internet connections that prevents choruses from truly being able to hear each other and sing together synchronously online. Software entrepreneur Mike Dickey, a parent of the Ragazzi Boys Chorus of San Mateo, California, worked with Stanford University researchers to develop a technology platform called JackTrip Virtual Studio that makes real-time remote singing possible with common internet connections.

Five Questions with Harmony Helper's Andrew Goren

SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER

Choristers and directors know all too well the challenges of learning music while apart, as the majority of choruses are not meeting in person right now. But as Andrew Goren shares, the concept of taking the rehearsal room with you has been in the works from before the COVID-19 pandemic upended our lives in 2020. Goren, the founder of the digital rehearsal app Harmony Helper, talks with Chorus America about his singing background and the experiences that led him to develop new technology to help singers make the most of their practice time.

The Virtual Premiere of “As Long As We Are Here”

SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER

There can be serendipity in the most challenging change of plans. The Master Chorale of South Florida was scheduled for a prime performance at the 2020 Chorus America Conference in Miami -- an ideal setting to premiere a commission from composer Jake Runestad. With a global coronavirus pandemic putting a halt to choral events and most of everyday life as we know it, this performance obviously did not come to fruition.

Instead, the Master Chorale and artistic director Brett Karlin discovered they possesed a brand new work that spoke with uncanny eloquence to our new reality -- and the opportunity to premiere it with the involvement of a wider community of audience members, renowned conductors, and singers than they ever imagined. Karlin and Runestad shared their stories with Chorus America on the journey of this new commission, As Long As We Are Here, which enters a new chapter this fall.

SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER

In the upcoming season, The Washington Chorus (TWC) looks not only to meet the challenge of planning in a world dealing with COVID-19, but to do so while welcoming a new incoming artistic director. Eugene Rogers, who takes the artistic helm of TWC while continuing in his role as director of choral activities at the University of Michigan, shared his thoughts with Chorus America on the unique challenges and opportunities ahead for him, his new ensemble, and the choral community.

Nina Simon’s work as an author, change leader, and activist is all about creating more open, generous, community-focused organizations. She is the founder and CEO of OF/BY/FOR ALL, a nonprofit organization that provides tools to help civic and cultural organizations matter more to more people. Today, over 50 organizations are using the OF/BY/FOR ALL framework to build relationships, relevance, and impact in their communities.

The World Symposium on Choral Music is an eight-day festival held every three years, organized by the International Federation for Choral Music. The next symposium is scheduled for July 2020, to be hosted in Auckland, New Zealand. In anticipation of WSCM2020, symposium artistic director John Rosser, who also founded and directs the Auckland-based chamber choir Viva Voce, spoke with Chorus America about next year’s event and its theme, tangata whenua.

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