Performance

Dvořák’s Svatá Ludmila: Genesis, Premiere and Aftermath

American Choral Review 48.1

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Performing Under Pressure

On Being a King's College Chorister

Thorough preparation is key to a flawless performance when 200 million listeners tune in to hear the annual (and beloved) broadcast of the King's College Festival of Nine Lessons and Carols.

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Your Concert As Feast: Notes on Programming

Never program down to your audience, and never assume that your audience isn't ready to be challenged by fresh interpretations of familiar pieces, by works from the canon that unjustly have been ignored, by the music of today and tomorrow.

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Bach's Sopranos; A Tribute to Kurt Thomas

American Choral Review 46.2

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Choral Recordings To Die For

It might be time to update and upgrade your own choral recording library. When the Voice asked today's classical music broadcast personalities, "What three or four choral recordings would you take to the ends of the earth with you, and why?" they came up with the following, sometimes surprising, favorites.

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College a cappella!

College a cappella pretty much started at Yale in 1909 with the Whiffenpoofs, a Glee Club spin-off quartet that sang regularly at Mory's Temple Bar, a campus restaurant. Now, a cappella singing has exploded, spreading to campuses all over the U.S. and abroad. Read about how this movement has taken off.

When Choruses Collaborate

A chorus by its very nature is a collaboration - singers, instrumentalists, music directors, front-office staff—all, according to Webster, performing work or labor together, especially literary (read artistic) pursuits." So it comes as no surprise that choruses would extend that collaborative spirit beyond their own organizations.

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Life on a Higher Pedestal: Otto Dresel's Bach Club (1883-1890)

American Choral Review 45.1

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