No other piece of music captivated iconic conductor Robert Shaw more than the Brahms Requiem. A symposium presented by Chorus America in honor of the Shaw centenary explored the conductor’s deep connection to this masterwork—and what it reveals about his approach to music and his legacy.
Faculty members and participants at Chorus America’s Robert Shaw Centenary Symposium reflect on the qualities that made Shaw a choral icon.
After performing the Brahms Requiem as the centerpiece of Chorus America’s Robert Shaw Centenary Symposium in mid-April, the Atlanta Symphony Orchestra and Chorus brought the work to New York for a special performance at Carnegie Hall. Music journalist Matthew Sigman attended the New York performance—which also included Jonathan Leshnoff’s newly-commissioned work Zohar—and reflects on his experience hearing the masterpiece for the first time.
Three funders share their do’s and don’ts for successful grant applications.
Choral music has a unique power to touch hearts and souls – but how can choruses leverage that power to impact their communities? These four stories provide some answers.
In preparation for publishing a series of community engagement case studies, we asked our members to share their own experiences with community engagement. The responses we received represent choruses of many types and sizes, from all over North America. They show the many different ways choruses are leveraging the power of choral music to impact their communities.
When done right, these choral directors say, early music transcends its intimidating reputation and connects with audiences.
New choral programs are embracing Venezuela's El Sistema model to reach children in America's underserved neighborhoods.
Each month, Chorus America has been profiling one of our members in our new Meet A Member series. For December, to mark the season of giving, we changed things up a little bit and interviewed one of Chorus America's long-time donors: Greg Funfgeld, artistic director of the Bach Choir of Bethlehem.