Impact/Value

Reflections on the 2020 U.S. Election: Choruses, This is the Work Ahead

 
A Letter from Catherine Dehoney

President and CEO, Chorus America

 

Dear choral colleagues,

I spent election night watching a movie to keep anxiety at bay, with brief breaks to check on the news. Every update on the vote count felt like another confirmation of the division present in our country and the uncertainty we all face. At one point, my husband Bill turned to me with a tired sigh and said, “Choruses are great, but I don’t think you can sing your way out of this.”  

Choral Field Embraces the Democratic Process

As this article is published, votes are still being counted in the 2020 United States general election - though for months now, the choral field has been using the power of our art to encourage the public to make their voices heard in this much-anticipated event. Our Chorus Impact Study has consistently found that choristers exhibit remarkably high levels of civic leadership, and the projects of these choruses and composers certainly live up to those research findings.

Commemorating the 19th Amendment: Singing about Suffrage and Exploring Intersectionality

“Awake! Awake! Ye sisters all,” is the opening line to the “Suffrage Marching Song,” by Fanny Connable and Florence Livingston Lent, composed in 1914 to benefit the Equal Suffrage Cause. Like many political movements, the suffrage movement was inherently linked with music, making the 2020 centennial of the 19th Amendment’s ratification a natural programmatic theme. Choruses across the U.S. are honoring this anniversary with new events and commissions featuring women’s voices, including premieres happening this weekend.

A New Way Forward: A Lighter Side

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.

A New Way Forward: Responding to Community Needs

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.

A New Way Forward: Rebroadcasting “And”

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.

Waiting to Take Wing: Premieres Deferred

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. Among countless affected performances during the onset of the coronavirus pandemic were eagerly anticipated world premieres—works such as Damien Geter’s African American Requiem with Portland, Oregon’s Resonance Ensemble (for more, see Secular Requiems) that explore timely and meaningful topics and involve collaborations, often spanning long periods, distances, or both. We asked several choruses about their premieres that were put on hold and their developing plans to find a way to share these new pieces of music with the world.

The Choral Commons: A New Project and A New Partnership

Chorus America is excited to be a community partner of a newly-launched initiative, The Choral Commons, founded by University of San Diego director of choral studies Emilie Amrein and Boston University professor of music André de Quadros.

Singing of Loss, Saving through Memory: The Healing Power of Secular Requiems

Music’s prominence in the sacred sphere has shaped some of the most enduring genres of choral music in Western culture, such as the requiem mass. For more than a century, composers have found resonance in the requiem outside its traditional religious framework — a resonance that has acquired new intensity in recent years. Here is a look at four American composers of today who have adapted the idea of the sacred requiem to secular expressions that commemorate loss and encourage healing. Their music responds to a wide spectrum of inspirations—and perhaps has even more relevance in a world coping with suffering and loss in a new way.

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