The Jubilee Songs of 1872 and 1884: Reconciling Reconstruction(s)
American Choral Review 53.1
American Choral Review 53.1
So you thought you could count...that is, until you met the 7/8 and 5/4 time signatures. Honestly, why are those meters so troublesome?
Choruses are pouring more resources and creativity into education outreach programs that have a far-reaching impact on students, teachers, schools, and communities—as well as on the choral artists who deliver them.
A bibliography of important resources from the Jewish choral tradition prepared by Joshua Jacobson.
A comprehensive repertoire list prepared by Joshua Jacobson.
Many choral organizations have embraced accessibility for those with disabilities as an important value, even making it part of their policies. When choruses accommodate singers with disabilities, everybody wins.
The National Performing Arts Convention (NPAC) was a five-day extravaganza, bringing together more than 30 different arts service organizations and their constituents to learn from each other and from high-profile experts from all arts fields. The final report summarizes the activities and outcomes of NPAC.
When Brazeal Dennard passed away in 2010, he left behind a rich musical legacy. This 2007 article profiled the life and career of this champion for African-American music as he celebrated 60 years conducting the Angelic Choir of the Peoples Baptist Church in Detroit.
Many types of organizations are tackling issues of diversity. Patricia Moore Harbour, who has facilitated a number of these discussions in a process that she describes as the Transformative Learning Experience, believes arts organizations, especially choruses, may start out ahead of the game.
The concept of ubuntu: "A person is a person through other people." Throughout black South African history—from ancient times when societies were migratory to the more recent struggle against apartheid—the people have relied on each other for their very survival. One conductor brought the lessons of ubuntu back home to his chorus.