Choral-Orchestral

How Can Volunteer Choruses Navigate Re-Auditions Smoothly?

Asking your chorus members to re-audition may be the single greatest test of the notion that choruses can create outstanding art and at the same time create meaningful community. Artistic leaders, managers, and singers who have experienced re-auditioning in volunteer choruses large and small talk about its benefits and pitfalls, and explain how they have managed this delicate process.

Robert Shaw and the Brahms Requiem

No other piece of music captivated iconic conductor Robert Shaw more than the Brahms  Requiem. A symposium presented by Chorus America in honor of the Shaw centenary explored the conductor’s deep connection to this masterwork—and what it reveals about his approach to music and his legacy.

"Heard in the Halls": Robert Shaw's Legacy

Faculty members and participants at Chorus America’s Robert Shaw Centenary Symposium reflect on the qualities that made Shaw a choral icon.

My First German Requiem

After performing the Brahms Requiem as the centerpiece of Chorus America’s Robert Shaw Centenary Symposium in mid-April, the Atlanta Symphony Orchestra and Chorus brought the work to New York for a special performance at Carnegie Hall. Music journalist Matthew Sigman attended the New York performance—which also included Jonathan Leshnoff’s newly-commissioned work Zohar—and reflects on his experience hearing the masterpiece for the first time.

The Brahms Requiem: Questions for the Conductor

The Brahms Requiem served as the artistic focal point of Chorus America’s Robert Shaw Centenary Symposium, which centered around the Atlanta Symphony Orchestra and Chorus’s April 2016 performance of this masterwork. Symposium faculty shared their thoughts on issues conductors ought to address as they prepare the piece.

Apologies, but you don't have permission to view this page.

Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.

If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.

Meet A Member: Brett Scott, University of Cincinnati-College Conservatory of Music

L. Brett Scott has touched many sides of the choral world in his career so far, and it figures that plenty more is in store. “My association has gone from a symphonic chorus, to research, to a community choir, and now includes a larger choral-orchestral ensemble again,” he says.

James MacMillan's St. John Passion

In a commentary for Chorus America’s online feature Noteworthy, Donald Nally commends James MacMillan’s St. John Passion to choral music colleagues—despite its considerable challenges. Not only is its scale monumental, the oratorio may invite controversy.

Noteworthy: A Romantic Era Masterpiece by a Female Composer

While pursuing one of his favorite pastimes, conductor Mark Shapiro happened upon a groundbreaking piece from the Romantic era.

Apologies, but you don't have permission to view this page.

Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.

If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.

Get News