Hiring your chorus’s first employee is an important step. Here’s how to make sure you get it right.
How does a chorus's legacy continue after its visionary founder is no longer around? It takes the will of a community.
When Shira Cion hunted down Kitka Women’s Vocal Ensemble in 1988, it was a different era. There were no websites with which small niche arts organizations could make themselves visible to the world.
Each month, Chorus America president and CEO Catherine Dehoney sits down to have a conversation over the phone with one of our members. This January, she spoke with Mary Henriques, executive director of the Pensacola Children's Chorus.
Each month, Chorus America has been profiling one of our members in our new Meet A Member series. For December, to mark the season of giving, we changed things up a little bit and interviewed one of Chorus America's long-time donors: Greg Funfgeld, artistic director of the Bach Choir of Bethlehem.
Lorenzo Martinez wasn’t expecting to become the executive director of the Houston Chamber Choir, but his new job is, in a sense, a homecoming. “I feel extremely fortunate to have landed here and work with incredible people,” says Martinez.
As the director of choral activities at Westminster Choir College, Joe Miller helps shape the next generation of choral conductors and leaders. Here he reflects on his own training as a conductor and on the future of the choral field. Click on the questions below to view his answers.
In the chorus-crazy land of Minnesota, there’s a charismatic new face in town putting a unique stamp on the area’s choral scene.
Steven Zopfi's "Ten Questions" project asks choral conductors today about their career development and the future of the choral field. Here Grant Gershon, Craig Hella Johnson, and Ragnar Bohlin respond. Click on the questions below to view their answers.
From chorus manager to member of a board of managers, Gretchen Upholt has a lot of choral and nonprofit experience. It all comes into play in her work with the New York Choral Society.