Careers

Alexander Lloyd Blake has plenty of jobs to keep himself busy.

Blake is the choir director for the LA County High School for the Arts, and principal assistant conductor of the National Children's Chorus’ Los Angeles ensemble. But that’s not all. “I'm an assistant conductor at First Congregational Church LA—that's a new one,” Blake recounts. “And I'm studying for my qualifying exams for my doctorate in choral conducting at USC.”

In an effort to renew our understanding of the roles, responsibilities, and challenges choral conductors encounter and how they affect the choral ecosystem, Chorus America undertook a new study, updating survey findings from a decade ago. The results highlight both important challenges and reasons to feel confident about the health of the profession. 

Understanding more about choral conducting as an occupation can help choral conductors plan their careers and choral leaders make better decisions. This report uses data drawn from the survey responses of more than 600 conductors to examine conductors' career paths, training, responsibilities, salaries, and more. These key findings provide an overview of both important challenges and reasons to feel confident about the health of the profession, as well as developments since Chorus America's first choral conductor survey over a decade ago. Access the full report, available to Chorus America members, here. 

A growing number of singers are knitting together careers by traveling from city to city to perform with professional choral ensembles. Here’s how this model works for them – and how it impacts the choral field.

In the last decade of the 20th century, the composer Morten Lauridsen wrote a series of pieces while serving a residency for the Los Angeles Master Chorale that have had a lasting and international impact. This year the choral world celebrates the 20th anniversary of the largest of these milestones, Lux Aeterna. What has given the Lauridsen aesthetic its power to connect and attract? And why does it continue to move performers, composers, and listeners?

Jean Davidson does not have the background of a typical choral administrator. The Los Angeles Master Chorale (LAMC) president and CEO took the job—her first in the choral community—after working in theater, contemporary dance, and instrumental music, where she served as the founding managing director of the Silk Road Ensemble with Yo-Yo Ma.

Choosing the right primary teacher at college or conservatory is one of the most important decisions a music student will make in their musical career, according to Deborah Simpkin King. A conductor and educator, King is artistic director and founder of Schola Cantorum on Hudson and its Conducting and Choral Scholar programs. Her tips on finding the perfect fit with a teacher for undergraduate or graduate studies are a great resource to share with young conductors and singers.

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