This final issue before the American Choral Review transfers to a new home at the National Collegiate Choral Organization features a study of Bach’s use of rhetorical devices in Cantata Ich hatte viel Bekummnernis, BWV 21 and an interview with two singers from the ensemble New York Polyphony.
This edition of the American Choral Review focuses on the discipline and practice of conducting.
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Understanding more about choral conducting as an occupation can help choral conductors plan their careers and choral leaders make better decisions. This report uses data drawn from the survey responses of more than 600 conductors to examine conductors' career paths, training, responsibilities, salaries, and more. The full report highlights both important challenges and reasons to feel confident about the health of the profession, as well as updating and tracking data from Chorus America's first choral conductor survey over a decade ago.
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If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Chorus America has announced the recipients of its 2020 awards program, recognizing a broad range of achievements in choral music, including artistic excellence, adventurous programming, innovative education programs, and lifetime service to the choral art.
At Gisele Becker’s final concert as music director of Cantate Chamber Singers, she celebrated the end of her 25-year tenure in a unique way: conducting a piece side by side with music director-designate Victoria Gau. “I had requested a piece be written for my last concert that would be in part for two conductors,” said Becker. “Andrew Simpson, a very dear friend and our accompanist, wrote the piece to my husband Bert's poetry.
With her new book, Staying Composed: Overcoming Self-Doubt and Anxiety within a Creative Life, composer Dale Trumbore has written the book that she always wanted to read. As a young composer, she found several inspiring biographies and memoirs from composers that she looked up to, but, she says, “there was really not that much information out there at all about making a living as a creative person or overcoming hurdles in the creative process from the perspective of a musician.”
Last fall, Indiana University music professor, conductor, and composer Dominick DiOrio took a sabbatical to travel across the United States to observe a wide spectrum of professional vocal ensembles, from small to large and from nascent to established. After attending rehearsals and performances and meeting with artistic directors, executives, and singers, he was left with the sense that, at their core, these professional choruses have more in common with their community counterparts than he imagined.
Chorus America has announced the recipients of its 2019 awards program, recognizing a broad range of achievements in choral music, including artistic excellence, adventurous programming, innovative education programs, and lifetime service to the choral art.
Said president and CEO Catherine Dehoney, “Chorus America is thrilled to honor these exceptional choruses and choral leaders who inspire our colleagues and enrich our communities through their outstanding work.”
Each month, Chorus America profiles one of our members in our Meet A Member interview series. To mark the season of giving, we often change things up a little bit for December by speaking with Chorus America donors. This year, we spoke to Hussein Janmohamed and Joan Szymko, the two composers donating compositions for Chorus America’s 2018 Commission Consortiums.
