Axel Theimer | Adults/Seniors, Conducting, Education, Performance, Rehearsal, Research/Data, Singing
Do you feel like the instructions you are giving your singers in rehearsal are not getting the desired result? Conductor Axel Theimer, the founder and artistic director of the Twin Cities-based Kantorei, has developed new approaches that align with research on how humans learn best. Consider his strategies for putting your singers at ease and tapping into their abilities.
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Kelsey Menehan | Composing/Commissioning, Innovation, Repertoire
The "Hallelujah" chorus is the signature piece from Handel's popular oratorio, as much a part of holiday festivities as "O Tannenbaum" and tinsel. In fact, the entire Messiah has permeated our culture so completely that modern-day musicians have felt free to put their own stamp on it.
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Viral Video Shines New Light on Choral Music
Lauren Rosenthal | Composing/Commissioning, Conducting, Impact/Value, Innovation, Performance, Profile, Rehearsal, Singing
If you’ve been on the internet during the past month, you’ve probably seen the quirky viral video of a chorus and orchestra covering the popular, can’t-get-it-out-of-your head song “Call Me Maybe” by Carly Rae Jepsen. There are hundreds of other videos online covering the song, ranging from topics like NFL replacement referees to the United States Olympic swim team, so what makes this one so special? With more than two million hits and counting on YouTube, mentions in newspapers around the country, and even a featured performance on the Today Show, who knew choral music could go so viral?
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Singing for the Soviets during the 1962 Cuban Missile Crisis
Jody Kerssenbrock | Community Outreach, History, Impact/Value, Participation, Performance, Professional, Repertoire, Singing, Symphonic
The Robert Shaw Chorale and Orchestra’s 1962 tour of Eastern Europe and the Soviet Union was more than anyone bargained for. Jody Kerssenbrock, then a 25-year-old chorister, remembers what it was like to be in "enemy" territory during the Cuban Missile Crisis, when the world came as close as it ever has to a nuclear war.
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Kevin Frey | Adults/Seniors, Audiences, Community Outreach, Conducting, Diversity, General, Impact/Value, Innovation, Participation, Performance, Singing
No longer is choral music constrained to choristers standing on risers at the front of a church or concert hall. In recent years, the traditional format has evolved into multisensory, multimedia experiences.
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A Conversation with Libby Larsen and Dale Warland
Don Lee | Composing/Commissioning, Repertoire, Technique/Tool
A renowned composer and choral artist discuss the challenges of choosing and setting texts—what every composer, conductor, and chorus seeking to commission a new choral work should know.
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Preserving and Performing African-American Music
Chorus America Staff | Civic Engagement, Conducting, Diversity, Education, History, Impact/Value, Performance, Profile, Repertoire, Singing
Choral conductor and composer/arranger Roland Carter has a passion for finding and performing the rich array of choral music from the African-American tradition. While at the 2012 Chorus America Conference in Minneapolis, Chorus America talked with Carter about his life and work.
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